Sunday, November, 5 2017
Rival Entertainment Presents:
Mercury & Lightning Tour with The Brilliance & LaPeer
JOHN MARK MCMILLAN
Doors 7pm / Show 8pm / All Ages / $18 Advance / $21 Day of Show / VIP Upgrades Available
ABOUT• All Ages Welcome
• General Admission (first come, first served)
• Tickets available online via Ticketmaster.com or without ticket fees in person at the Center Stage Box Office, M-F, 11-6. Online sales end at 5pm on day of show.
VIP Ticket includes:
...VIP Early Entry
...Exclusive VIP signed tour poster
...Exclusive VIP tour laminate
...Private VIP pre show performance from all performers
...Exclusive VIP pre-show Q&A
JOHN MARK MCMILLAN is something of an anomaly: an artist and Platinum-selling songwriter bending genres and defying categorization by carving out his own unique and independent path. With an ear for melody and a poet’s eye for metaphor, no topic has been off-limits. While each of his albums over the past decade have continued to explore new territory, it’s McMillan’s ability to give lyric and language to the human experience that many consider his greatest gift. Mercury & Lightning, the latest offering from McMillan, reminds us why we love great songwriters; The great ones find a way to put new words to private musings and desperate feelings until the songs themselves begin to live in our bones.
Though the robust 14-song album doesn’t release until Sept 1, the iTunes pre-order launches July 21 with four instant grat tracks including the title track “Mercury & Lightning,” “Wilderlove,” “No Country,” and “Enemy, love.” The vibe and tone from each track will mesmerize but it’s McMillan’s voice that draws you in and makes you feel as though you’ve pulled up a chair to one of those conversations you want to stick around for. The entire album was recorded just outside of Portland, OR at Feng Sway Studios over 18 months with close friend Gabriel Wilson and long time bandmate Jesse Proctor. Their collaboration produced the kind of record that your kid usually discovers before you do - something progressive yet accessible. Borrowing from their childhood influences, McMillan, Wilson and Proctor bring elements of 80’s rock and 90’s R&B together, somehow making the record feel both modern and unexpected.
In a world where hate is the language of the day, racial tension runs high, violence is a means to an end and shootings are a common occurrence, it’s easy to give in to despair. Yet, in the midst of New York City, one of the country’s most diverse and socially involved cities, lies a musical collective creating art that’s counter cultural. With their second full-length project in partnership with Integrity Music, David Gungor and John Arndt—otherwise known as The Brilliance—are suggesting that perhaps All Is Not Lost.
The two men have shared a brotherly bond since childhood when their fathers played in a wedding band together in the ’70s. Throughout college, they made music together in a variety of bands. When David began leading worship at Trinity Grace Church’s Tribeca Parish in New York City, he wanted to write original music for his congregation that followed the liturgical calendar, so he sent some ideas to Arndt, and a unique musical journey began as the two, along with an ensemble of musician friends, began recording under the moniker of The Brilliance. Inspired by neoclassical music, their sound is built on piano and string arrangements and rarely follows traditional pop form.
Their critically-acclaimed Integrity Music debut, Brother, was a peacemaking opus that introduced the duo’s eloquent use of minimalism in the vein of Sufjan Stevens and Philip Glass to an audience beyond their faithful legion of fans who followed them during their years as an independent band. The title track became an important anthem of unity, breaking down barriers between race, religion and socioeconomic status. Moreover, Worship Leader magazine named "Brother" their No. 1 album pick in 2015.
Now, with All Is Not Lost, The Brilliance hopes to continue the conversations they sparked with Brother, inviting listeners farther along on a journey toward peace.
A descendent of some of Lapeer's earliest settlers, 23-year-old LaPeer's roots run deep into the heart of the Michigan city that bears his name. The son of a brilliant violinist, LaPeer grew up on music, classic literature and travel - exploring over 30 countries. Of all the experiences that have marked his songwriting, it was a season of wrestling with a relationship trapped in ambiguity that resulted in over a hundred new songs. LaPeer is releasing four EPs to tell us what became of his story; one of love, loss and everything in between.
His first fall EP, When Lands Are Golden, debuted in Oct. 2016. These six tracks were written simply - all on one guitar - then brought to life by producer Gabriel Wilson (Bethel, Kari Jobe, John Mark McMillan). With instrumentation from musicians Jesse Proctor (John Mark McMillan), Jason Barrows (Josh Garrels), Kendall Fowler, and Jeremy Larson (Sleeping at Last, Violents), the EP features thick 80’s synth pads, rich string arrangements, and effortless melodies. "Heart Haunting," the debut single, was recently added to the Starbucks "Coffeehouse" Spotify playlist and can be heard throughout Starbucks locations worldwide. LaPeer continued his EP series with In Blistering Cold on Feb. 24 featuring the single "Torchlight." Now fans can get the third installment titled To Brighter Dawns everywhere featuring the track "Men Without Lungs."